Taste of Excitement
Taste of Excitement is a 1970 British mystery thriller film directed by Don Sharp and starring Eva Renzi, David Buck and Peter Vaughan.[1][2] It was shot during 1968 on location around Nice on the French Riviera, but not given a general release until 1970. It had an X certificate for violence and brief nudity. In the United States it was released under the alternative title Why Would Anyone Want to Kill a Nice Girl Like You?.
Taste of Excitement | |
---|---|
![]() Spanish poster | |
Directed by | Don Sharp |
Written by | Don Sharp Brian Carton |
Based on | novel "Waiting for a Tiger" by Ben Healey |
Produced by | George Willoughby |
Starring | Eva Renzi David Buck Peter Vaughan |
Cinematography | Paul Beeson |
Edited by | Raymond Poulton |
Music by | Keith Mansfield |
Production companies | Trio Films Group W Films |
Distributed by | London Independent Producers |
Release date | 1970 |
Running time | 89 minutes |
Country | United Kingdom |
Language | English |
Premise
A series of attempts are made on the life of a young woman.
Cast
- Jane Kerrell - Eva Renzi
- Paul Hedley - David Buck
- Inspector Malling - Peter Vaughan
- Hans Beiber - Paul Hubschmid
- Michela - Sophie Hardy
- Miss Barrow - Kay Walsh
- Mr Breese - Francis Matthews
- Dr Forla - George Pravda
- Alfredo Guardi - Peter Bowles
- Police Inspector - Alan Rowe
- Mr Camot, French Detective - Alan Barry
- French Police Officer - Tom Kempinski
- Hotel Proprietor - Yves Brainville
- Receptionist - Catherine Berg
Production
Taste of Excitement was based on Brian Healey's novel Waiting for a Tiger (1965), the first of a series of thrillers about Paul Hedley. Reviewing the book in the New York Times, Antony Boucher wrote "the action is incessant and well varied."[3]
The film was a co production between Group W and Trio Films.
Sharp says he was approached to make the film by producer George Willoughby, who had been recommended to use the director by John Terry of the National Film Finance Corporation. Sharp says it was "rather a nice thriller" with the original title of The Girl in the Red Mini. The film was being made for television and theatrical release; Westinghouse were providing American finance.[4]
Sharp said it had "quite a nice cast without any big names" but four days before shooting was to begin Westinghouse announced they had done a survey of what had been successful of television that revealed comedy-thrillers rated better than straight thrillers. Accordingly they sent over a writer, Alec Coppel, to turn the film into a comedy. Sharp knew Coppel from Australia before the war and felt "he'd done some good work" but "some time ago". Sharp says Coppel would rewrite "reems of stuff" which the director had to rewrite and cut the night before filming. "You wouldn't believe the chaos and confusion", said Sharp, who says the parts of Peter Bowles and Francis Matthews in particular were greatly reduced.[4]
However Sharp got along very well with the producers, who hired him to make a second film, The Violent Enemy, which would be released before Taste of Excitement.[4]
Peter Bowles wrote in his memoirs that he had clashed with Don Sharp while making an episode of The Avengers but three weeks later Sharp offered the actor a role in Taste of Midnight. Bowles loved making the film because of its location.[5]
Reception
The Monthly Film Bulletin called it "a standard mystery adventure."[6]
References
- "Taste of Excitement". BFI. Archived from the original on 12 July 2012.
- Vagg, Stephen (27 July 2019). "Unsung Aussie Filmmakers: Don Sharp – A Top 25". Filmink.
- Criminals at Large By ANTHONY BOUCHER. New York Times 5 Sep 1965: BR21.
- Sharp, Don (2 November 1993). "Don Sharp Side 5" (Interview). Interviewed by Teddy Darvas and Alan Lawson. London: History Project. Retrieved 14 July 2021.
- Bowles, Peter (2012). Ask me if I'm happy. p. 139-139. ISBN 9780750534932.
- TASTE OF EXCITEMENT Monthly Film Bulletin; London Vol. 37, Iss. 432, (Jan 1, 1970): 17.
External links
- Taste of Excitement at IMDb
- Taste of Excitement at Letterbox DVD
- Taste of Excitement at BFI