Sun in fiction

The Sun has appeared as a setting in fiction since at least classical antiquity.

Inhabited
See also: Extraterrestrials in fiction

Many early depictions of the Sun portray it as having inhabitants.[1][2][3][4] Lucian of Samosata's work True History from the second century CE, described by science fiction scholar Gary Westfahl as the first depiction of space travel in fiction, has the inhabitants of the Sun being at war with those of the Moon.[4] Later stories with an inhabited Sun include Athanasius Kircher's 1656 work Itinerarium exstaticum[1][5][6] and Cyrano de Bergerac's 1657 novel Comical History of the States and Empires of the Moon.[2] In the 1700s, solar inhabitants were depicted by French authors Chevalier de Béthune, whose 1750 novel Relation du Monde de Mercure describes them ruling over the inhabitants of Mercury,[7] and Marie-Anne de Roumier-Robert, whose 1765 novel Voyage de Milord Céton dans les sept planètes portrays an society on the Sun characterized by equality of the sexes.[8]

The concept of the plurality of worlds—the notion that other heavenly bodies should be essentially Earth-like and therefore habitable—endured in fiction with regard to the Sun well into the 1800s.[3] These works include George Fowler's 1813 novel A Flight to the Moon; or, The Vision of Randalthus, the anonymously published 1837 novel Journeys into the Moon, Several Planets and the Sun, and Joel R. Peabody's 1838 novel A World of Wonders.[1][2][3][4] Even in the early 1900s, when the temperature of the surface of the Sun had been determined by spectroscopic measurement, the portrayal of the Sun as inhabited persisted in some works of juvenile fiction such as John Mastin's 1909 novel Through the Sun in an Airship and Donald Horner's 1910 novel By Aeroplane to the Sun.[1][2][3][4]

In the 1900s, more exotic solar lifeforms started appearing in fiction.[3][4] Some of these live inside the Sun itself rather than on its surface, as in Jack Williamson's 1935 short story "Islands of the Sun", Raymond Z. Gallun's 1935 short story "Nova Solis", and Henry J. Kostkos 1936 short story "We of the Sun".[3][4] Others take up residence elsewhere in the Solar System: in Leigh Brackett's 1942 short story "Child of the Sun", an intelligent alien from the Sun lives on the fictional planet Vulcan inside the orbit of Mercury,[4][9] and the titular creatures of Olaf Stapledon's 1947 novel The Flames are lizard-like solar beings residing inside igneous rocks on Earth.[2][4][10] Edmond Hamilton's 1962 short story "Sunfire!" depicts an energy-based lifeform living in the Sun's corona.[3][11][12]

Disaster
See also: Apocalyptic and post-apocalyptic fiction

The Sun has been a source of destruction or the threat thereof in many stories, most commonly either by fading or exploding.[1][2][3][4]

Dimming and extinction

The dimming or extinction of the Sun has been a recurring theme.[1][2][3][4] The earliest such stories were inspired by the assumption that the heat and light of the Sun were products of combustion, and that the fuel sustaining it would eventually run out.[1] Lord Kelvin estimated in 1862 that the Sun would fade within a few million years, a timeframe that was later incorporated in stories by Camille Flammarion and H. G. Wells, among others.[3] In Flammarion's 1894 novel Omega: The Last Days of the World humanity survives an encounter with a comet but succumbs to the dimming of the Sun thousands of years later,[2][3][13][14] while the time traveller in Wells' 1895 novel The Time Machine discovers a cooled and reddened Sun over a barren Earth in the far future.[2][3][15][16] Similarly, stories about the end of the world involving the death of the Sun were written in the early 1900s by among others George C. Wallis, whose 1901 short story "The Last Days of Earth" depicts the last survivors leaving a frozen Earth for a potentially habitable planet in another solar system,[1][3][17] and William Hope Hodgson, whose 1908 novel The House on the Borderland describes one character's vision of the destruction of both the Earth and Sun.[1][2][3][18]

By the 1920s, the combustion hypothesis was superseded by the notion that the Sun was fuelled by nuclear fusion, pioneered by Arthur Eddington.[1][3] As a result, science fiction authors started incorporating much longer solar lifespans in their stories, with J. B. S. Haldane's 1927 essay "The Last Judgment" and Olaf Stapledon's 1930 novel Last and First Men both outlining the future evolution of humanity throughout millions of years of variation in solar luminosity.[1][3][19][20] Stories depicting the Sun waning nevertheless kept appearing, such as Clark Ashton Smith's stories about the fictional future continent Zothique starting with the 1932 short story "The Empire of the Necromancers",[2][4] and Jack Vance's Dying Earth series starting with the 1950 anthology The Dying Earth which also gave its name to the dying earth subgenre of science fiction.[1][2][21][22] Nat Schachner's 1934 short story "When the Sun Dies" describes the entire Earth freezing over in the 1980s as a result of a reduction in solar activity,[2][4][23] and in Arthur C. Clarke's 1949 short story "History Lesson", future Venusians find humanity extinct due to the environmental changes brought about by the Sun fading.[4][24][25] Clarke also touched upon the subject in the 1938 poem "The Twilight of the Sun" and the 1979 novel The Fountains of Paradise.[4] In a variation on the theme, Fritz Leiber's 1951 short story "A Pail of Air" depicts Earth having been pulled away from the gravitational influence of the Sun and thus turned into a rogue planet, with a climate so cold that air has frozen and needs to be collected and thawed to turn it gaseous and breathable.[2][26] Edmond Hamilton's 1934 short story "Thundering Worlds" sees all the planets leaving the Solar System to find a new star as the Sun dies,[1][27] while his 1963 comic book story "Superman Under the Red Sun" depicts Superman travelling into the far future and losing his superpowers as a result of the aging red Sun.[4]

A handful of stories describe efforts to reignite the fading Sun.[1][2][3] In Clark Ashton Smith's 1954 short story "Phoenix" (written c. 1935), this is accomplished by detonating several nuclear weapons on the Sun's surface.[1][3][28] In Gene Wolfe's 1980–1983 four-volume novel The Book of the New Sun and its sequels, a white hole is used to reinvigorate the dying Sun.[1][2][3][29] The concept of using an explosive device for this purpose is revisited in the 2007 film Sunshine.[1][30]

Exploding
See also: Supernovae in fiction

Several stories depict the Sun exploding, or "going nova".[1][2] It was recognized early on that the immense destructive power of such an event would leave little to no hope of survival for humanity, and so while Simon Newcomb's 1903 short story "The End of the World" depicts a few survivors in the immediate aftermath,[31][32] Hugh Kingsmill's 1924 short story "The End of the World" instead focuses on the anticipation of the destruction of the Earth.[1][3] According to science fiction writer Brian Stableford, it was thus not until the concept of space travel became widespread in science fiction—hence making evacuation of the Earth a conceivable prospect—that such stories became popular.[31] In John W. Campbell's 1930 short story "The Voice of the Void" humanity leaves Earth ahead of this disaster,[31][33] while in Joseph W. Skidmore's 1931 short story "Dramatis Personae" the Sun explodes without warning, leaving a few people already in spaceships as the only survivors.[31][34] In Arthur C. Clarke's 1946 short story "Rescue Party", aliens come to Earth to save humanity from the violent demise of the Sun only to find evacuation already underway,[1][2][3][4][35] whereas in his 1954 short story "No Morning After", the aliens' warning goes unheeded.[4][36] J. T. McIntosh's 1954 novel One in Three Hundred deals with the allocation of the limited capacity aboard the evacuating spaceships.[1][3][37] In Norman Spinrad's 1966 novel The Solarians, the Sun is intentionally made to explode in an act of interstellar warfare.[1][3][31] In Edward Wellen's 1971 novel Hijack, the Mafia is duped into abandoning Earth by being misled that the Sun will turn into a nova.[1][3][38]

Other

The heat of the Sun dooms life on Earth when the Earth's orbit is disrupted in John Hawkins's 1938 short story "Ark of Fire" and the 1961 film The Day the Earth Caught Fire.[1][2] More fancifully, Clare Winger Harris' 1928 short story "The Menace of Mars" depicts an increase in heat from the Sun threatening the Earth as a result of a general cosmological change in the properties of the universe, which leads Mars to adjust Earth's orbit to serve as a shield against the Sun's radiation.[2][39]

Solar storms such as solar flares appear in some stories.[3] In Larry Niven's 1971 short story "Inconstant Moon", the sudden brightening of the Moon in the night sky leads the characters to conclude that the Sun has undergone a nova event that will destroy all life on Earth, though they later realize that a large solar flare would produce the same effect and that all hope might not be lost.[1][2][3][40] In the 2005 novel Sunstorm by Arthur C. Clarke and Stephen Baxter, mankind constructs a large shielding object at the Sun–Earth L1 Lagrange point as protection against the threat posed by an immense predicted solar flare.[1][3][41] More long-lasting changes in solar output appear in Arthur G. Stangland's 1932 short story "50th Century Revolt", where an increase in solar activity forces humanity to slow the rotation of the Earth to a synchronous rotation—where the same side of the Earth faces the Sun at all times, thus protecting the other half of the planet from the scorching heat—for two millennia until the Sun dims again,[3][42] and George O. Smith's 1953 novel Troubled Star, where aliens seek to turn the Sun into a variable star.[1][3]

Phenomena

Eclipses
Further information: Solar eclipses in fiction and List of films featuring eclipses
Scene from the 1961 film Barabbas
The 1961 film Barabbas portrayed the crucifixion darkness by filming during the totality of the solar eclipse of February 15, 1961.

Solar eclipses are plot points in many stories.[3][43] The earliest work of fiction in which an eclipse appears is the ancient Sumerian c. 2100 BCE Epic of Gilgamesh.[43] Using understanding of the underlying astronomy to be able to predict eclipses mathematically is a common trope—says Stableford, it "became a key method by which European explorers could impress superstitious native populations in adventure stories".[3] Several sources attribute the popularity of this trope to the possibly-apocryphal story of Christopher Columbus using foreknowledge of the March 1504 lunar eclipse to defuse a situation of increasingly strained relations with the Arawak people on Jamaica by pretending to cause the eclipse.[43][44][45][46][47] H. Rider Haggard's 1885 novel King Solomon's Mines originally featured a solar eclipse like this, though later editions substituted a lunar eclipse to address the issue of the event having a several-hour duration despite solar eclipses lasting for a maximum of a few minutes.[3][43] In a variation on the theme, Mark Twain's 1889 novel A Connecticut Yankee in King Arthur's Court depicts a time traveller using an almanac in this way to impress the people in Medieval Britain and become a person of influence.[3][43] The eclipse prediction motif recurred in fiction until the 1930s or 1940s, by which time it fell out of favour.[43] Eclipses continued to appear, but much more rarely.[3] In William Lemkin's 1930 short story "The Eclipse Special", scientists construct an aircraft that will allow them to move with the eclipse's path of totality and remain in the Sun's umbra for longer in order to extend the amount of time available to study the eclipse.[3][48] The 1961 film Barabbas portrays the crucifixion darkness during the Biblical crucifixion of Jesus as a solar eclipse, and the scene was filmed during the solar eclipse of February 15, 1961.[43] According to science fiction scholar Lisa Yaszek, the decades around the turn of the millennium saw the emergence of a trend wherein marginalized groups "experience a reversal of fortunes when the Moon takes center stage and blots out the Sun".[43]

Sunspots

The 11-year solar cycle of sunspot activity appears in a small number of works such as Clifford D. Simak's 1940 short story "Sunspot Purge" and Philip Latham's 1959 short story "Disturbing Sun".[1][3] In Robert A. Heinlein's 1952 short story "The Year of the Jackpot", this cycle is one of many that herald the end of the world when they align.[1][49][50] Hyman Kaner's 1946 novel The Sun Queen is set on a sunspot.[1][3]

Solar wind
See also: Space travel in science fiction

Following the discovery of the solar wind—a stream of charged particles from the Sun—in 1951 by Ludwig Biermann, stories emerged about spacecraft with solar sails. These devices exploit the solar wind for propulsion by capturing the small amount of pressure pointing away from the Sun exerted by it.[3][4][30][51] The idea was popular in 1960s science fiction, appearing among others in Jack Vance's 1962 short story "Gateway to Strangeness" and Cordwainer Smith's 1963 short story "Think Blue, Count Two".[51] Arthur C. Clarke's 1964 short story "Sunjammer" (a.k.a. "The Wind from the Sun") depicts a race to the Moon between solar sail-propelled spacecraft.[3][4][51][52]

Close encounters

The Sun appears as a hazard to spaceships that approach it too closely in some stories.[1][3]

Sentient

Some works depict the Sun as being sentient.[1][2][4][53] In fictional mythologies, the Sun is usually male, though some exceptions exist such as the legendarium of J. R. R. Tolkien, in whose cosmology it is female.[53]

See also

References
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