SOS Tour

The SOS Tour was the second concert tour by American singer-songwriter SZA, in support of her second studio album, SOS (2022). It was her first arena tour, with 18 shows across the United States and Canada. Omar Apollo served as the concerts' opening act.

SOS Tour
Tour by SZA
The cover art for the SOS album, with SZA's name and tour dates superimposed
LocationNorth America
Associated albumSOS
Start dateFebruary 21, 2023 (2023-02-21)
End dateMarch 23, 2023 (2023-03-23)
No. of shows18
Supporting actsOmar Apollo
Attendance238,000
Box office$34.5 million
SZA concert chronology

Background

After the release of SZA's debut studio album Ctrl in 2017, her second, SOS, was highly awaited. This was in large part due to Ctrl's critical acclaim, as well as the five-year-long wait and the several delays that occurred surrounding SOS's release.[1][2][3] In November 2022, SZA told Billboard that the album would come out the following month. She posted the track list via Twitter on December 5, and SOS was released four days later[4][5] to critical and commercial success.[6]

In promotion of SOS, SZA announced merchandise for the album on December 13. At the same time, she revealed she would tour North America in early 2023 in support of the album.[7] She wrote on Instagram, "Time to take this shit on the road!"[8] Tickets went on sale via SZA's website on December 16, at 12 pm Eastern Time,[9] with pre-sales hosted by Ticketmaster one day beforehand.[10] Several publications called the tour one of 2023's most anticipated;[note 1] some cited the critical acclaim of SOS[17] and the years-long wait for SZA's album.[11][14]

With Omar Apollo announced as the opening act,[18] the SOS Tour is SZA's and Apollo's first arena tour[19][20] and her first concert tour since Ctrl the Tour ended in 2018.[21] It consists of shows across 17 cities in Canada and the United States.[22] The first concert was on February 21, 2023, at the Schottestein Center in Columbus, Ohio; and the last was on March 23, 2023, at the Kia Forum in Inglewood, California. The Inglewood stop features back-to-back concerts alongside the one at Madison Square Garden in New York City, resulting in a total of 19 shows.[note 2] The concert in Philadelphia, Pennsylvania, scheduled for March 3 at the Wells Fargo Center, was indefinitely postponed.[23]

Concert synopsis

The SOS Tour's concerts were around 90 minutes long.[24][25] Every show featured prominent nautical visual elements,[25][26] divided into four or five acts based on the stage scenery.[27][28] Set lists had over 30 songs,[29] and two tracks from the album were not included for most dates.[30][note 3] Apart from the standard SOS tracks, SZA performed "PSA" (2023), which appears on its web-exclusive version; and various songs from Ctrl such as "Love Galore" (2017), "Broken Clocks" (2018), and "Garden (Say It like Dat)" (2018).[31] She also included covers of "Bag Lady" (2000) by Erykah Badu and her collaborations with other artists, namely "All the Stars" (2018) with Kendrick Lamar and "Kiss Me More" (2021) with Doja Cat.[33] A three-person band that flanked the stage accompanied SZA throughout the concerts.[25][34] Select shows featured surprise guests; most were artists with whom she had worked on songs in the past.[35][36]

A concert began with SZA's recreation of the album's cover art—which shows her atop a diving board in the middle of the ocean—backed by "PSA". The screen projected a pre-filmed scene where her silhouette threw her microphone at the ocean and dove towards the water headfirst.[37][38] Emerging from the stage for "Seek & Destroy", SZA appeared with four backup dancers, behind a pier setting.[33]

When she performed "Shirt" (2022), a puddled, blue ball followed her across the stage[20] while the screen showed an underwater visual. After a brief costume change backed by "Smoking on My Ex Pack" (2022), SZA appeared on top of a life-sized sailboat beside a pier. Following a performance of her rock song "F2F" (2022), in which she and her guitarist headbanged to channel a mosh pit, the screen and stage floor projected a scene of a turbulent sea, leading her to retreat to a floating life raft. It took SZA to the opposite end of the arena, on which stood a lighthouse 20 feet (6.1 m) tall.[20][39]

SZA performed a medley of "Supermodel" (2017), "Special" (2022), "Nobody Gets Me" (2023), and "Gone Girl" (2022) as the raft transported her across the venue.[40] The storm-themed backdrop ended once she reached the other side. There, she did another costume change. She wore red biker pants and a motor suit with a spiked ball and chain in hand, recreating her outfit in the music video for "Kill Bill" (2023). Her prop was a callback to a scene in Kill Bill: Volume 1 (2003) where Gogo Yubari fought the protagonist, the Bride, at the House of Blue Leaves using a meteor hammer. SZA concluded the show with the encore song "Good Days" (2020),[20][40] back on the diving board as the screen projected a scene of the sun either rising or setting.[41]

To finish the show, the screen projected text, written using stars, that read "The End". Credits rolled, beginning with the acknowledgment of SZA as the creative director. Also included were the truck drivers, technical crew, dancers, choreographers, and backing musicians.[39][42] After the credits appeared a teaser of an upcoming music video for the SOS track "Low" (2022), which depicts SZA as she uses a flamethrower.[31][36]

Aesthetic

Analysis
The "All the Stars" performance
Critics interpreted the trawler's voyage as a metaphor for healing.

Critics analyzed the nautical motif as metaphors for themes frequent to SZA's music.[41] Mikael Wood of the Los Angeles Times used the "Special" performance by the lighthouse as an example. To contextualize, he wrote the song discusses regrets about a man who failed to appreciate the best, special version of someone. In Wood's view, the lighthouse searchlight helps the concert attendee feel seen, reflecting the vulnerable, confessional qualities of "Special" and SZA's works as a whole. He said: "She puts all the detailed complexities of a messy personal life, with its betrayals and disappointments and compromises, into a highly focused beam that somehow makes her listeners feel uniquely [acknowledged]."[26]

Many of those critics wrote the tour's voyage premise, through props like the submarine and lighthouse, symbolized navigation of one's self to heal from a turbulent past.[20][30][43] One of them was Atlanta Daily World's A.R. Shaw. He believed the opening scene's ocean was like a romance filled with uncertainties, and SZA's diving into it represented her willingness to take risks with such relationships. The ocean, for him, represents the highs and lows of love: "SZA's voyage mirrors the turbulence and good times that can be had in any relationship. Throughout the storms and moments of confusion, love always finds its way home."[44]

Theater and film influences
The "Kill Bill" performance
The SOS Tour visually references films, such as Kill Bill (2003–2004).

SZA's approach with the tour was to "pop ass and cry and give theater", aiming for catharsis through cinematics and theatrics. She told Billboard: "I want it to be smart and exhilarating and exhausting and exciting like a party, but also like a therapy session."[45] Broadway performances were her primary basis for the tour's production. She fused these inspirations with the visual styles of circus shows from the Cirque du Soleil. SZA cited the film Suspiria (1997), which is dominated by vibrant, saturated colors, as another aesthetic influence.[46]

The tour's cinematic and theatrical proclivities are apparent in several ways. Included are the use of credits alongside elaborate set designs and props. Bolstering the film influences are homages to Titanic (1997)—showed through the sunken-ship setting and SZA's open-arms pose at the trawler's bow—and the Kill Bill duology, showed through SZA's meteor hammer and Crazy 88 reference.[30][39][44]

Disney films influenced the SOS Tour's production. SZA described it as a "Cinderella moment where there’s weird, ethereal, mystical, soft things" combined with a "hardcore edge", reflected through the sets and costumes.[47][40] While performing the medley, SZA wore a yellow tulle gown for the shows' third outfit,reminiscent of the character Belle from Beauty and the Beast (1991).[20][40] Apart from this and Cinderella (1950), the stage design and outfits took inspiration from other Disney films such as Aladdin (1992), Treasure Planet (2002) and The Little Mermaid (1989).[40]

Outfits

There were six wardrobe changes throughout the concerts.[34] When SZA began with "PSA", she wore a variant of the St. Louis Blues hockey jersey, with its number substituted for an "S" to recall the SOS cover art.[36] Printed on the back was "Yemaya", a water goddess of the Yoruba in West Africa.[20][48]

Alejandra Hernandez styled SZA's garments, having collaborated since 2016 for the "Drew Barrymore" music video. Many designers contacted SZA before the tour and pitched ideas for her outfits, but she turned everyone down. Trusting Hernandez, she believed they had to "make [their] own thing". Comfort was the point behind curating SZA's looks, in two senses of the word. SZA wanted the outfits to feel comfortable, and she wanted to feel comfortable being herself.[49]

Part of SZA's fashion sense was an affinity for oversized varsity jackets, reflected on the first costume, so Hernandez knew to always have several in their wardrobe. SZA also favored baggy men's jeans, and vintage menswear from the 1990s and early 2000s. Her clothes for many live appearances preceding the tour were frequently varsity jackets and conventional men's apparel.[49]

It was Hernandez's first time being a stylist for arena tours. She constructed many of the garments by hand, and she ensured the designs were practical for the swift wardrobe changes. During the first dress rehearsal, however, the crew realized it was not the case. Now aware their collection was too extravagant, she and her tailor, Gina, overhauled the entire wardrobe by upcycling the elaborate pieces into something simpler. They cut up many bottom wear to turn them into upper wear. She told Vogue about the third outfit: "The raft jacket she wears when she floats over the audience? That's a jacket I had to hand sew. That piece didn't exist in the wardrobe, it was gonna be worn under a skirt."[49]

Commercial performance

The SOS Tour sold 238,000 tickets and grossed $34.5 million, based on figures reported by Billboard. On average, each show earned $1.9 million and drew 12,812 attendees.[50] Dispersion of tickets sold per night was low, ranging from 11,069 in Atlanta and 14,383 in Toronto. San Diego attendance was an outlier. Due to the arena's relatively small capacity, it attracted only 8,700 people.[51] The nights that had the most attendees and biggest revenue were the back-to-back dates. The New York City and Inglewood concerts, respectively, sold 27,000 and 25,000 tickets. Grossing $4.7 million were the New York City concerts, and grossing $3.9 million were the Inglewood concerts.[52]

SZA attracted significantly larger markets than when she visited small venues for Ctrl the Tour. At Emo's in Austin, she performed to an audience of 1,550, grossing $31,000. When she revisited the city and performed in the Moody Center, the show's attendance multiplied sevenfold, and she earned 55 times the 2017 show's revenue. Her back-to-back New York City shows saw 1,376% more concertgoers and at least 10,000% more gross compared to when she earned $45,000 from 1,800 attendees at a concert in Brooklyn Steel. Billboard wrote Ctrl's "slow-burning success" on the US albums chart was a major contributor to the SOS Tour's commercial performance. According to them, the album's five-year run on the chart helped create high demand for an arena tour from SZA and cause an exponential rise in boxscore compared to her previous tour.[51]

Set list

This set list is from the Columbus show. It is not intended to represent all dates throughout the tour.[31]

  1. "PSA"
  2. "Seek & Destroy"
  3. "Notice Me"
  4. "Conceited"
  5. "Love Galore"
  6. "Broken Clocks"
  7. "Forgiveless"
  8. "Used"
  9. "Bag Lady" (Erykah Badu cover)
  10. "Blind"
  11. "Shirt"
  12. "Too Late"
  13. "Smoking on My Ex Pack"
  14. "All the Stars"
  15. "Prom"
  16. "Garden (Say It like Dat)"
  17. "F2F"
  18. "Drew Barrymore"
  19. "Doves in the Wind"
  20. "Low"
  21. "Open Arms"
  22. "Supermodel"
  23. "Special"
  24. "Nobody Gets Me"
  25. "Gone Girl"
  26. "SOS"
  27. "Kiss Me More"
  28. "Love Language"
  29. "Snooze"
  30. "Kill Bill"
  31. "I Hate U"
  32. "The Weekend"
Encore
  1. "Good Days"

Surprise guests

The following is a list of surprise special guests that accompanied SZA during the SOS Tour. A dagger indicates a collaboration between SZA and the guest.

Tour dates
List of concerts[note 5]
Date (2023) City Country Venue Opening act
February 21 Columbus United States Schottestein Center Omar Apollo
February 22 Chicago United Center
February 24 Detroit Little Caesars Arena
February 25 Toronto Canada Scotiabank Arena
February 27 Washington, D.C. United States Capital One Arena
February 28 Boston TD Garden
March 4 New York City Madison Square Garden
March 5
March 7 Atlanta State Farm Arena
March 9 Austin Moody Center
March 10 Dallas American Airlines Center
March 13 San Diego Viejas Arena
March 14 Oakland Oakland Arena
March 16 Seattle Climate Pledge Arena
March 18 Portland Moda Center
March 19 Vancouver Canada Rogers Arena
March 22 Inglewood United States Kia Forum
March 23

Postponed concerts
List of postponed concerts[56]
Date
(2023)		 City Country Venue
March 2 Philadelphia United States Wells Fargo Center

Notes
  1. Writers for Uproxx,[11] Variety,[12] the Los Angeles Times,[13] Pitchfork,[14] Entertainment Weekly,[15] Billboard,[16] and NME[17] have branded the SOS Tour as such.
  2. See the tour dates section for a full list, with references.
  3. Namely "Far" and "Ghost in the Machine";[31] "Ghost in the Machine" was performed in only two concerts[32]
  4. "Special" by Lizzo; not to be confused with the SOS track "Special"
  5. References for the dates, except where noted:[55]
    • Back-to-back nights at Madison Square Garden:[56]
    • Back-to-back nights at the Kia Forum:[6][57]

References
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