Gordon Pask

Andrew Gordon Speedie Pask (28 June 1928 – 29 March 1996) was an English author, inventor, educational theorist, cybernetician and psychologist who made contributions to cybernetics, instructional psychology, experimental epistemology and educational technology. Pask first learned about cybernetics in the early 1950s when the originator of the subject, Norbert Wiener, spoke at Cambridge University, where Pask was an undergraduate student. Pask was asked to be of assistance during Wiener's talk.[1]

Gordon Pask
Born28 June 1928
Derby
Died29 March 1996 (aged 67)
London
NationalityBritish
Alma materUniversity of Cambridge
University of London
Open University
Known forConversation theory
Interactions of actors theory
AwardsWiener Gold Medal (1984)
Scientific career
FieldsCybernetics
Psychology
InstitutionsBrunel University
University of Illinois at Chicago
University of Illinois at Urbana-Champaign
Concordia University
Georgia Institute of Technology
Architectural Association
InfluencesNorbert Wiener
InfluencedTed Nelson, Nicholas Negroponte, Ranulph Glanville, Cedric Price

Holding three doctorate degrees, Pask published more than 250 journal articles, books, patents and technical reports from funding from United States Armed Forces, the British Ministry of Defence, the British Home Office and the British Road Research Laboratory.[2] He taught at the University of Illinois, Old Dominion University, Concordia University, Open University, University of New Mexico, Architectural Association School of Architecture and MIT.[3]

Biography

Pask was born in Derby, England, in 1928, and educated at Rydal Penrhos. Before qualifying precociously as a mining engineer at Liverpool Polytechnic, now Liverpool John Moores University, Pask studied geology at Bangor University. He obtained an MA in natural sciences from Cambridge in 1952 and a PhD in psychology from the University of London in 1964. Whilst visiting professor of educational technology, he obtained the first DSc from the Open University and an ScD from his college, Downing Cambridge in 1995.

From the 1960s Pask directed research at the non-profit research organisation System Research Ltd. in Richmond, Surrey and his partnership, Pask Associates. The company disbanded in the early 1980s, whereby he moved on to teach for a time at Concordica University and then the University of Amsterdam and the Architectural Association in London,[4] where he acted as a doctoral supervisor for Ranulph Glanville.

Pask's primary contributions to cybernetics, educational psychology, learning theory and systems theory, as well as to numerous other fields, was his emphasis on the personal nature of reality, and on the process of learning as stemming from the consensual agreement of interacting actors in a given environment ("conversation").

His work was complex, extensive, and deeply thought out, at least until late in his life, when he benefited less often from critical feedback of research peers, reviewers of proposals and reports to government bodies in the US and UK, and, perhaps most especially, the tension between experimentation and theoretical stands. His publications, however, represent a storehouse of ideas that are not fully mined.[5]


He died on March the 29th 1996 at the London Clinic.[6]

Work

Musicolour

Musicolour was an interactive light installation developed by Pask during the 1950s. It responded to musicians' variations and, if they did not vary their playing, it would become 'bored' and stop responding, prompting the musicians to respond.

Musicolour was influential on Cedric Price's Generator project, via the work of consultants Julia and John Frazer.

Fun Palace

Pask collaborated with architect Cedric Price and theatre director Joan Littlewood on the radical Fun Palace project during the 1960s, setting up the project's 'Cybernetics Subcommittee'.

Colloquy of mobiles

Pask participated in the seminal exhibition "Cybernetic Serendipity" (ICA London, 1968) with the interactive installation "Colloquy of Mobiles", continuing his ongoing dialogue with the visual and performing arts. (cf Rosen 2008, and Dreher's History of Computer Art)

Conversation theory
Main article: Conversation theory
See also: Second-order cybernetics

Pask's most well known work was the development of Conversation theory. It came out of his work on instructional design and models of individual learning styles. In regard to learning styles, he identified conditions required for concept sharing and described the learning styles holist, serialist, and their optimal mixture versatile. He proposed a rigorous model of analogy relations.

Interactions of actors theory
Main article: Interactions of actors theory

Publications

Pask wrote several books and more than two hundred journal articles.

Selected books
  • 1961, An Approach to Cybernetics. Hutchinson.
  • 1975, Conversation, cognition and learning. New York: Elsevier.
  • 1975, The Cybernetics of Human Learning and Performance. Hutchinson.
  • 1976, Conversation Theory, Applications in Education and Epistemology. Elsevier.
  • 1981, Calculator Saturnalia, Or, Travels with a Calculator : A Compendium of Diversions & Improving Exercises for Ladies and Gentlemen with Ranulph Glanville and Mike Robinson. Wildwood.
  • 1982, Microman Living and growing with computers. with Susan Curran Macmillan.

Selected papers

Patent

Exhibition

Influence

Pask influenced Ted Nelson, who references Pask in Computer Lib/Dream Machines and whose interest in hypermedia is much like Pask's entailment meshes.

Pask influenced Nicholas Negroponte, whose earliest research efforts at the Architecture Machine Group on "idiosyncratic systems" and software-based partners for design have their roots in Pask's work as a consultant to Negroponte's efforts

See also

References
  1. Pickering, Andrew (2009). The Cybernetic Brain: Sketches of Another Future. University of Chicago Press. p. 313. ISBN 978-0226667904.
  2. Biography Archived 28 October 2017 at the Wayback Machine at International Federation for Systems Research
  3. Gordon Pask Bio: Book Chapter
  4. Scott, Bernard (2011). Explorations in Second-Order Cybernetics (1st ed.). Vienna: edition echoraum. p. 142. ISBN 9783901941269.
  5. "Gordon Pask PDFS & Other Resources — Conversation Theory".
  6. Glanville, Ranulph (1996). "Robin McKinnon-Wood and Gordon Pask: a Lifelong Conversation". Cybernetics & Human Knowing. 3 (4): 56–62.

Further reading
  • Bird, J., and Di Paolo, E. A., (2008) Gordon Pask and his maverick machines. In P. Husbands, M. Wheeler, O. Holland (eds), The Mechanical Mind in History, Cambridge, MA: MIT Press, pp. 185 – 211. ISBN 9780262083775
  • Barnes, G. (1994) "Justice, Love and Wisdom" Medicinska Naklada, Zagreb ISBN 953-176-017-9.
  • Glanville, R. and Scott, B. (2001). "About Gordon Pask", Special double issue of Kybernetes, Gordon Pask, Remembered and Celebrated, Part I, 30, 5/6, pp. 507–508.
  • Green, N. (2004). "Axioms from Interactions of Actors Theory", Kybernetes, 33, 9/10, pp. 1433–1462. Download
  • Glanville, R. (ed.) (1993). Gordon Pask—A Festschrift Systems Research, 10, 3.
  • Pangaro, P. (1987). An Examination and Confirmation of a Macro Theory of Conversations through a Realization of the Protologic Lp by Microscopic Simulation PhD Thesis Links
  • Margit Rosen: "The control of control" – Gordon Pasks kybernetische Ästhetik. In: Ranulph Glanville, Albert Müller (eds.): Pask Present. Cat. of exhib. Atelier Färbergasse, Vienna, 2008, pp. 130–191.
  • Scott, B. and Glanville G. (eds.) (2001). Special double issue of Kybernetes, Gordon Pask, Remembered and Celebrated, Part I, 30, 5/6.
  • Scott, B. and Glanville G. (eds.) (2001). Special double issue of Kybernetes, Gordon Pask, Remembered and Celebrated, Part II, 30, 7/8.
  • Scott, B. (ed. and commentary) (2011). "Gordon Pask: The Cybernetics of Self-Organisation, Learning and Evolution Papers 1960–1972" pp 648 Edition Echoraum (2011).
Wikiquote has quotations related to Gordon Pask.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.