Van McCoy

Van Allen Clinton McCoy (January 6, 1940 – July 6, 1979) was an American musician, record producer, arranger, songwriter, singer and orchestra conductor. He is known for his 1975 internationally successful hit "The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Gladys Knight & the Pips, The Stylistics, Aretha Franklin, Brenda & the Tabulations, David Ruffin, Peaches & Herb, Lesley Gore[1] and Stacy Lattisaw.

Van McCoy
Background information
Birth nameVan Allen Clinton McCoy
Born(1940-01-06)January 6, 1940
Washington, D.C., U.S.
DiedJuly 6, 1979(1979-07-06) (aged 39)
Englewood, New Jersey, U.S.
GenresDisco, R&B, pop
Occupation(s)Singer, songwriter
Years active1952–1979
LabelsColumbia, Avco, H&L

Background and early years

Early life

Van McCoy was born in Washington, D.C., the second child of Norman S. McCoy, Sr. and Lillian Ray.[2] He learned to play piano at a young age and sang with the Metropolitan Baptist Church choir as a youngster.[3]

By the age of 12, he had begun writing his own songs, in addition to performing in local amateur shows alongside his older brother, Norman Jr. The two brothers formed a doo-wop combo named the Starlighters with two friends while in Theodore Roosevelt High School. In 1956, they recorded a single entitled, "The Birdland",[2] a novelty dance record. It gained some interest, resulting in a tour with saxophonist Vi Burnside. In 1959, the Starlighters produced three singles for End Records that included "I Cried". Marriage and other commitments eventually caused the group to disband during the mid-1950s. Van also sang with a group called the Marylanders.

During 1961, McCoy met and became romantically involved with Kendra Spotswood (also known as Sandi Sheldon) who lived near his family. For the next five years, they sang and recorded music together professionally. Their relationship ended when McCoy delayed their wedding plans because of a work contract he had signed with Columbia Records.[4]

Work with other artists

Late 1950s to late 1960s

In September 1958, McCoy entered Howard University to study psychology but dropped out after two years in order to relocate to Philadelphia, where he formed his own recording company, Rockin' Records, releasing his first single, "Hey Mr. DJ", in 1959.[5] This single gained the attention of Scepter Records owner Florence Greenberg, who hired McCoy as a staff writer and A&R representative for the label.[5] As a writer there, McCoy composed his first success, "Stop the Music", for the popular female vocal group, The Shirelles, in 1962. He was co-owner of Vando Records with Philly D.J. Jocko Henderson. He owned the Share record label and co-owned the Maxx record label in the mid-1960s, supervising such artists as Gladys Knight & the Pips, Chris Bartley and The Ad Libs.

He came into his own after first working for top producers Jerry Leiber and Mike Stoller as a writer, and then signing with the major April-Blackwood music publishing concern, connected with Columbia Records. McCoy went on to write a string of hits as the 1960s progressed. He penned "Giving Up" for Gladys Knight & the Pips (later a hit for both The Ad Libs[6] and Donny Hathaway), "The Sweetest Thing This Side of Heaven" for Chris Bartley, "When You're Young and in Love" for Ruby & the Romantics (later a hit for The Marvelettes), "Right on the Tip of My Tongue" for Brenda & the Tabulations,[5] "Baby I'm Yours" for Barbara Lewis,[5] "Getting Mighty Crowded" for Betty Everett, "Abracadabra" for Erma Franklin, "You're Gonna Make Me Love You" for Sandi Sheldon, and "I Get the Sweetest Feeling" for Jackie Wilson. He also put together the hit-making duo of Peaches & Herb, arranging and co-producing their first hit, "Let's Fall in Love", for the Columbia subsidiary Date in 1966.[5] A year later started his own short-lived label, Vando, as well as his own production company VMP (Van McCoy Productions).[5]

1970s

One outfit Van wrote or produced most consistently for was the The Presidents who had the hit, "5-10-15-20 (25-30 Years of Love)".

In the early 1970s, McCoy had begun a long, acclaimed collaboration with songwriter/producer, Charles Kipps, and arranged several hits for the soul group The Stylistics etc..[7]

McCoy also had success with David Ruffin's comeback album, Who I Am (1975), featuring "Walk Away from Love", (US number 9, US number 1 R&B) in the US and a UK top 10 success. He went on to produce the next two albums for Ruffin, which spawned further successes. His early discovery, Faith, Hope And Charity, had major success in 1975 with "To Each His Own". It was another R&B chart-topper. Also in 1975, he also arranged two of his compositions "My Heart's Too Big for My Head" and "You've Got to Tell Her" for the Asha Puthli album She Loves to Hear the Music.[8]

An example of Multiple McCoy compositions in the same chart was for the week ending November 15, 1975 in the Billboard Hot Soul Singles Chart. In addition to his hit "Change with the Times which at week 6 was at no. 8, there was "To each His Own" by Faith Hope & Charity at no. 10 at week 14, "When You're Young and in Love" by Choice Four at no. 71 at week 11 and "I Destroyed "Your Love" by Special Delivery at no. 71 at week 5.[9]

For the week ending May 8, 1976, McCoy had four of his compositions in the Billboard Hot Soul Singles Chart. At week ten, "Heavy Love" by David Ruffin was at no. 17, and "This is It" by Melba Moore at week six was at no. 29. His own single, "Night Walk" was on its fourth week at no 52, and "Hey What's that Dance You're Doing" by The Choice Four on week five was at no. 60.[10]

1976 was the year that McCoy produced Melba Moore's ("This Is It" and "Lean on Me" 1976)).[5]

Having changed the name of their production company Whitehouse Productions to McCoy-Kipps Productions in early 1976, McCoy and Charles Kipps had entered into a new venture towards the end of that year. They had entered into a production agreement two albums of new r&b acts. A McCoy-Kipps Productions bio sheet for Kipps indicated that one of the artists could be actress, Tamara Dobson.[11] Dobson had signed with MCA sometime in the later part of 1976.[12] Confirmation of things in motion appeared in the November 27 issue of Billboard. Dobson was the first artist to have a release scheduled for early 1977.[13] Between 1975 and 1976, McCoy had been seen escorting Dobson as well as dancing with her various venues.[14][15][16]

During 1977, he produced Gladys Knight & the Pips' Still Together LP (1977).[5]

Van McCoy career (late 1950s to 1970s)

1950s

McCoy along with brother Norman and two schoolmates, Freddy Smith and Paul Comedy formed The Starlighters. He was still at Dunbar High School at the time. It was then after he had transferred to Roosevelt High School in D.C. that "The Birdland" was recorded in 1956. The group later recorded "I Cried" which was released on the End Records label in 1959.[17]

1960s
First solo hit, Mr. DJ

On July 8, his single "Mr. DJ entered the Cash Box Looking Ahead chart at no. 42.[18][19] It got to no. 5 on the Looking Ahead chart on August 19.[20][21][22] It would also get to #101 on the Billboard chart.[23]

Solo career on Columbia

By 1965, Columbia Records had recently acquired Van McCoy. McCoy's history as a songwriter was known in the industry. Managed at the time by David Kapralik, it was Kapralik who made McCoy known to Columbia vice-president, William P. Gallagher. Columbia wanted to push him as a recording artist. The October 2 issue of Billboard wrote in an article that the label was using its muscle in a promotion to pitch him via a coast-to-coast tour of radio stations, extensive trade advertising, and promotional mailing to disk jockeys etc.. Amongst this, there was to be a cover story about McCoy on the record company's nationally distributed company magazine, Insight.

The first single for the label consisted of two McCoy originals, "Butterfly" and "Keep Loving Me". [24] The single at the time with "Keep Loving Me" as the A side, backed with "Butterfly" was arranged by Gary Sherman was released on Columbia 43415. The October 2 issue of Billboard had it in the Pop Spotlights Top 60 section, a record predicted to reach the top 60 of the HOT 100 Chart.[25] The following week, Billboard ran a picture of McCoy seated, signing his contract with Columbia vice-president William P. Gallgaher and manager Dave Kapralik looking on.[26] A full page advert for the single with McCoy pictured appeared on page 5 of the same issue.[27] It charted in Canada, making its debut in the R. P. M. Play Sheet chart at no. 36 on the week of October 25.[28] In her New York column, Harriet Wasser mentioned that McCoy singing on "Butterfly" sounded a bit like Nat King Cole and Johnny Mathis.[29] With the magazine now calling itself, R. P. M. Music Weekly the single peaked at no. 10 on the week of December 6th.[30][31]

In 1966, McCoy recorded a solo LP for Columbia entitled Night Time Is Lonely Time.[5] It was produced by Mitch Miller.[32]

1970s

In 1972, he released his own solo LP on the Buddah label, Soul Improvisations.[5] The album included a minor hit, "Let Me Down Easy", but it was not a success following poor promotion. A few years later, following his success with The Hustle, it would be re-released in abridged form (two songs less) as From Disco to Love. He would form his own orchestra, Soul City Symphony[33] and, with singers Faith, Hope and Charity, produce several albums and give many performances.[5]

Mainstream success

In 1975, McCoy released to low expectations the mostly instrumental LP Disco Baby for the Avco (later H&L) label. The title song, "Disco Baby", was written by George David Weiss, Hugo Peretti and Luigi Creatore, and was also performed by The Stylistics for their 1975 album Thank You Baby. Unexpectedly, a single called "The Hustle" from the album, written about the dance of the same name and recorded last for the album, went to the top of both the Billboard pop and R&B charts (also No. 3 in the UK)[34] and won a Grammy Award. The album was also nominated for a Grammy. McCoy, then regarded as a disco hitmaker, never repeated the success of the song, although the singles "Party", "That's the Joint" and "Change with the Times" got significant airplay.[35] The latter reached No. 6 in the Billboard R&B chart and was a top 40 hit in the UK.[34]

For the week of April 26, 1975 while "The Hustle" was at no. 7 on the Record World Disco File Top 20. He also had four of his songs on the Discotheque Hit Parade. "The Hustle" was getting spun at the Flamingo in New York as well as The Zanzibar at Washington DC and The Directoire in New York. "Fire" was getting played at Disco 1985 in Los Angeles, "Disco Baby" was being played at The Zanzibar as well as "Turn this Mother Out".[36][37]

On June 19th, 1975, McCoy was in Montreal, Canada, attending a reception hosted by Quality Records at the Limelight night club. There he was presented with a giant award with the inscription, "Presented to Van McCoy by Quality Records Limited, in recognition of "Love Is the Answer" for the song's achieving hit status in Quebec. The function was to also commemorate the first concert appearance of Van McCoy and the Soul City Symphony at the Montreal Forum the next day on the 20th.[38]

Van McCoy Day

Tuesday, April 27, 1976, was a recognition day for Van McCoy. He was honored by members of the Washington broadcasting and political community. It was a recognition for his impact in disco. Involved in the celebration and sponsoring it were Douglas Stereo, Sam K's Record Shop, Gerrie's International House of Music and Universal Discount Records. They were joined Ray Mott, owner of the Sagittarius restaurant. The disco party was held there. The day involved 60 second radio spots on most stations which had been purchased by H & L Records. Events included McCoy visiting each of the record stores. He did interviews with radio stations WKYS, WOL and WHUR with the latter honoring his in their programs all day. He also did television stations which included TTG -TV.[39]

Further activities

On New Years Eve, December 31, 1976, McCoy performed with band, Stuff and brought in the new year at the The Bottom Line club, singing "When I Fall in Love". The recording and another track by McCoy "You Still Be the One" appeared on an unofficially released Stuff album, Countdown To 1977 which also featured , and some tracks by Ashford & Simpson.[40][41][42]

Sum up of (1970 to 1977) period

After his mega success with "The Hustle" here were no further major sellers in the US, despite a series of follow-up albums, From Disco to Love (the abridged 1975 reissue of Soul Improvisations), The Disco Kid (1975), The Real McCoy (1976), and Rhythms of the World (1976).[5] However, he scored the UK top 5 again during 1977 with the instrumental success "The Shuffle".[34] which became the theme tune for BBC Radio 4's Sport on Four.

Van McCoy career and work with other artists (1978 to 1979)

1978
"My Favorite Fantasy"

On March 25, 1978, his new album, My Favorite Fantasy was reviewed. It was made up of original McCoy compositions and was co-produced with Charles Kipps. The clarity, smoothness and easiness of his vocals as well as the strength and instrumental rhythm was noted. The picks by Billboard were, "That's the Story of My Life", "Two Points", "You're So Right for Me", "Before and After", and "Wings of Love". "My Favorite Fantasy" wasn't a pick then.[43] However, two weeks later on April 8, "My Favorite Fantasy" was a recommended soul single in the Billboard Top Single Picks section.[44] With Susan Kluth's review of the album in Record Mirror, even though it took note of McCoy's faultless vocals, the aspects of human life, and heart - wrenching lyrics etc., didn't display any enthusiasm.[45]

"My Favorite Fantasy" would become a hit. While it was charting, another composition of his, "Don't Pity Me" by Faith Hope & Charity was seeing chart action in the same Billboard and Cash Box charts.[46][47][48] In the United States, "My Favorite Fantasy" peaked at #76 on the Billboard Hot Soul Singles chart,[49][50] peaked at #51 on the Cash Box Top 100 R&B chart,[51][52] and it peaked at #48 on the Record World R&B singles chart.[53][54] In Canada, it peaked at #37 on the RPM Adult Oriented Playlist chart.[55][56] It also charted in the United Kingdom, getting on to the Record Mirror UK Disco Top 90 chart, peaking at #70.[57][58]

Further activities

McCoy wrote the song "Don't Pity Me" which was first recorded as a B side of "Don't Stop", a 1977 single by Louisa Jane White, a 1976 Eurovision British contestant.[59][60] It was later recorded by Faith Hope & Charity and produced by him, and released on 20th Century TC-2370.[61][62] The song made its debut in the Cash Box Top 100 R&B chart on week ending May 27, 1978.[63] On August 12 at week twelve, it peaked at #12.[64][65] It peaked at #20 on the Billboard Hot Soul Singles Chart on week ending August 5.[66][67]

In late 1978, a single he produced and composed the A side of, "I'm Not Dreaming" credited to Zulema (and friend). It was backed with "Gotta Find a Way", released on LeJoint 5N-34002.[68][69]

1979

In early January, Richie Rivera presented for the first time his mix of Van McCoy's "Lonely Dancer" at a New York City club.[70] On the week of January 20, 1979, Cash Box wrote that a 12" release of "Lonely Dancer" / "Samba" was being released on MCA that week.[71]

Zulema and friend's "I'm Not Dreaming" was in the Soul section of Billboard's Top Single Picks for the week of January 20, 1979. The review was favorable. The unnamed friend singing with Zulema was actually Van McCoy! The reviewer put it on par with other "silky, romantic" recent hit recordings by Johnny Mathis & Deniece Williams, and Roberta Flack & Donny Hathaway.[72]

By February, the Lonely Dancer album was out. It was reviewed by Cash Box in the February 24 issue. Referring to McCoy's and Charles Kipps' production values as stellar and first rate background harmonies, the reviewer said that McCoy's baritone vocals were mostly first rate. The picks were "Merry Go Round", "The Samba" and "Lonely Dancer".[73] His release was part of an extensive campaign by MCA for the February releases which included releases by Joe Ely, Lane Caudell, Jeffree and Mel Tillis. The promotion for McCoy's album was to build a strong base at a disco and R&B level. The paraphernalia to be distributed to the press, radio and retailers included a four-color poster and four-color button.[74]

"I'm Not Dreaming" entered the Billboard Hot Soul Singles chart, peaking at #76 (week seven) on March 17, 1979,[75] holding the position for another week. It had a total run of nine weeks in the chart.[76][77]

Also in March, Stuff's album Stuff It was out. Along with Faith Hope & Charity, Vanetta Fields, McCoy provided backing vocals.[78]

Death

On June 29, McCoy suffered a heart attack at his home on Englewood, New Jersey. According to both the Washington Post and the New York Times, he died at Englewood Hospital a week later at the age of 39.[79][80] He is buried in the McCoy family plot at Lincoln Memorial Cemetery, Suitland, Maryland, a suburb of Washington, D.C.

Television and film

Van McCoy appeared on the Mike Douglas Show and was a regular guest on The Tonight Show.[81] He wrote and sang the theme song for the 1978 movie Sextette that starred Mae West and Timothy Dalton and made a cameo appearance in it, playing a delegate from Africa. He also contributed some music for A Woman Called Moses.[2] Along with Faith Hope & Charity, Brass Construction and Johnny Dark, he appeared in episode 4.20 of Don Kirshner's Rock Concert.[82]

Discography

Studio albums
Year Album Peak chart positions Certifications Record label
US
[83]		 US
R&B
[83]		 AUS
[84]		 CAN
[85]		 GER
[86]		 NL
[87]		 UK
[88]
1966 Night Time Is Lonely Time — — — — — — — Columbia
1972 Soul Improvisations — — — — — — — Buddah
1974 Love Is the Answer [A] — — — — — — — Avco
1975 Disco Baby [A] 12 1 33 11 16 — 32
From Disco to Love 181 41 — 75 — — — Buddah
The Disco Kid 82 18 97 — — 20 — Avco
1976 The Real McCoy 106 22 — — — — — H&L
Rhythms of the World — 44 — — — — —
1977 Van McCoy and His Magnificent Movie Machine — — — — — — —
1978 My Favorite Fantasy — — — — — — — MCA
1979 Lonely Dancer — — — — — — —
"—" denotes a recording that did not chart or was not released in that territory.
  • A Albums credited to Van McCoy & the Soul City Symphony

Compilation albums
Year Album Peak Record label
US
[83]
1976 The Hustle and Best of Van McCoy 193 H&L
1979 Sweet Rhythm —
1987 The Best of Van McCoy —
2016 The Best of Van McCoy — Unidisc Music
"—" denotes a recording that did not chart or was not released in that territory.

Singles
Year Title Peak chart positions Certifications Album
US
[83]		 US R&B
[83]		 US A/C
[83]		 US Dan
[83]		 AUS
[84]		 CAN
[85]		 GER
[86]		 IRE
[90]		 NL
[87]		 UK
[88]
1961 "I Wantcha Back" — — — — — — — — — — —
"Never Trust a Friend" — — — — — — — — — —
"Mr. D.J." 104 — — — — — — — — —
"Girls Are Sentimental" — — — — — — — — — —
1962 "Follow Your Heart" — — — — — — — — — —
1963 "It Ain't No Big Thing" — — — — — — — — — —
"Very Few Heartaches (Very Few Tears)" (with Kendra Spotswood) [B] — — — — — — — — — —
1964 "Two of a Kind" (with Kendra Spotswood) [B] — — — — — — — — — —
1965 "Something Special" (with Kendra Spotswood) [B] — — — — — — — — — —
"Butterfly" — — — — — 10 — — — —
1966 "Starlight, Starbright" — — — — — — — — — —
"Take Me for What I Am" (with Kendra Spotswood) [B] — — — — — — — — — —
"The House That Love Built" — — — — — — — — — — Night Time Is Lonely Time
"Pledging My Love" — — — — — — — — — — —
1968 "Sweet and Easy" [C] — — — — — — — — — —
1969 "The Generation Gap" [C] — — — — — — — — — —
"I Started a Joke" — — — — — — — — — —
1970 "Where There's a Heartache (There Must Be a Heart)" — — — — — — — — — —
1972 "I'm in Love with You Baby" — — — — — — — — — — Soul Improvisations
"Let Me Down Easy" — — — — — — — — — —
1973 "I'm in Your Corner" (with Sharon Ridley) — — — — — — — — — — —
1974 "Love Is the Answer" [D] — 77 22 — — 88 — — — — Love Is the Answer
"African Symphony" [D] — — — 13 — — — — — —
1975 "Boogie Down" [D] — 67 — — — — — — — —
"The Hustle" [D] 1 1 2 3 9 1 3 5 4 3 Disco Baby
"Change with the Times" 46 6 — 15 — 52 31 — — 36 The Disco Kid
1976 "Night Walk" 96 51 — — — — — — — — The Real McCoy
"Party" 69 20 — 14 — — — — — —
"Soul Cha Cha" [E] — — — 14 — — 13 — 7 34 Rhythms of the World
"The Shuffle" 105 79 — — — — — 6 — 4
1978 "My Favorite Fantasy" — 76 — — — — — — — — My Favorite Fantasy
"Two Points" — — — — — — — — — —
1979 "Lonely Dancer" — — — — — — — — — — Lonely Dancer
"—" denotes a recording that did not chart or was not released in that territory.
  • B Singles credited to Jack & Jill
  • C Singles credited to the Van McCoy Strings
  • D Singles credited to Van McCoy & the Soul City Symphony
  • E "Soul Cha Cha" charted with the tracks "Rhythms of the World" and "That's the Joint" on the Disco Action chart

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