Stonehouse (TV series)

Stonehouse is a British television series dramatising the life and times of disgraced British government minister John Stonehouse, first broadcast from 2 to 4 January 2023. The series starred Matthew Macfadyen and Keeley Hawes and was directed by Jon S. Baird from a script by John Preston.

Stonehouse
Screenplay byJohn Preston
Directed byJon S. Baird
Starring
Theme music composerRolfe Kent
Country of originUnited Kingdom
Original languageEnglish
No. of series1
No. of episodes3
Production
Executive producers
Producers
  • Ruth Kenley-Letts
  • Ellie Wood
CinematographyMark Wolf
EditorSteven Worsley
Production companies
  • Snowed-In Productions
  • Clearwood Films
Release
Original networkITV1
Original release2 January (2023-01-02) 
4 January 2023 (2023-01-04)

Synopsis

The series is a part fictional/fact[1] based account of how in November 1974 a prominent Labour British politician, John Stonehouse, the former Postmaster General within the Harold Wilson government and MP for Walsall North, disappeared from the beach of a luxury hotel in Miami, Florida. Stonehouse left only a neatly folded pile of clothes behind, after he swam into the sea to fake his own death.

Stonehouse had faked his own death in America, in a vain attempt to avoid disgracing his reputation. Following espionage, forgery, theft and fraudulent activities that he had been engaged in, he was extradited back to the UK from Australia.[2]

Cast

Production

Filming took place around Birmingham and Stratford-upon-Avon. The series marked the first time real life husband and wife Macfadyen and Hawes have worked together since the BBC series Ashes to Ashes. Kevin McNally has previously appeared as Harold Wilson in the Kray twins 2015 bio-pic Legend, starring Tom Hardy.[3]

Broadcast

Stonehouse was broadcast in the UK on ITV1 and ITVX in three one-hour episodes on 2, 3 and 4 January 2023 from 9pm.[4]

Reception

Rebecca Nicholson of The Guardian awarded the drama four stars out of five, and called it "enormously entertaining".[5] Carol Midgley of The Times described it as "a joy, chiefly thanks to Macfadyen’s witty, light-on-its-feet performance,"[6] whilst Hugo Rifkind, writing for the same newspaper, declared it "very funny" but was disappointed in the lack of nuance in its depiction of the title character.[6]

References

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