John Philip Shenale

John Philip Shenale (often mentioned as Phil Shenale) is a Canadian composer, arranger, musician and producer[1][2] based in Los Angeles.[3]

John Philip Shenale
Genres
  • Rock
  • alternative rock
  • classical
Occupation(s)
  • Composer
  • arranger
  • musician
  • producer
Instrument(s)Piano, Hammond, Fender Rhodes, Clavinet, Orchestron, Mellotron, Keyboards
Years active1970–present
Member ofThe Forest Rangers
Websitejohnphilipshenale.com

Background

Shenale was born in Canada in 1951.[4][5] His family relocated to the United States in the late-1950s. His earliest memories of music consist of hearing his father, an avid lover of classical music, play the violin, cello and mandolin in their home during his childhood. After attending a Latin High Mass at the age of five, he recalls being drawn to the piano in an attempt to recreate the music he had heard during the ceremony. The experience awakened his passion for the art and he soon found himself improvising his own music. It wasn't until the age of twelve, however, that he began formal piano lessons.

Shenale began serious composition while in high school, drawing inspiration from classical composers such as Ravel, Granados, Britten and Stravinsky. He soon discovered modern-day musicians such as The Yardbirds, Jimi Hendrix and The Beatles which ignited his passion for rock and roll, leading him to form his first band. During his undergraduate studies, he first majored in physics and then music before dropping out in favor of playing and travelling with a hard rock club band.

Career

Shenale has a very deliberate production style, carefully creating a very natural-sounding theatrical background using both cutting-edge and very old tools.[6][7] He has contributed his talents as a composer, arranger, musician and/or producer[8] to over forty Gold and Platinum albums, both domestic and international and over thirty Top-40 singles. His work has been associated with 21 Grammy nominations.[9][10][11][12][13]

He believes the connection to the artist is key while he is working as a producer.

"The artist may only bring lyrics, but they bring the story of their life. The producer is sucking all of the life juice out of the artist to get their stamp on the track. From that standpoint, it's not a manipulation of notes, but of reality."[14] John Philip Shenale

Early work

Shenale's early work began in film, a medium he would subsequently revisit throughout his career, with 1971's The Young Graduates. Continuing throughout the 1970s he recorded and performed live with artists such as Gregory Hines, Redbone, Jon Lucien, Bobby Womack and Severance.[15] However, he considers his collaborations, specifically during the latter part of the decade, with artists such as Jim Keltner and The Beach Boys to be of particular value and significance, affording him a considerable amount of time in-studio where he was given the opportunity to work with state-of-the-art equipment and to learn the language and various philosophies behind recording professionally.

Shenale's instruments of choice during this time included the piano, Hammond, Fender Rhodes, Clavinet, Orchestron, Mellotron along with various other synthesizers.

Shenale's work[16] has been featured on albums by artists such as Tori Amos,[17][18][19][20] Willy DeVille,[21] Jane's Addiction,[22][23] Tracy Chapman, Billy Idol,[24] Janet Jackson, Diana Ross, The Bangles, Dionne Warwick, Rick Springfield, Buddy Guy, Robert Cray and John Hiatt.[25]

1980-1989

In 1980 he worked with Franco Battiato for the opening song "Up Patriots To Arms" of his album Patriots (Keyboards).[26] The song was also included at the album Echoes of Sufi Dancers (1985, keyboards).[27]

Shenale worked with Rick Springfield on his platinum-certified Living in Oz album (1983, keyboards, string arrangements), on Hard to Hold (1984, keyboards),[28] on Tao (1985, Keyboards, Synthesizer, DX-7) and on Karma (1999, violin, organ/Hammond, Synthesizer voices). Affair of the heart was the hit song from Living in Oz album, peaked at No.9 on the Billboard Hot 100 and was nominated for a Grammy award for Best Rock Vocal Performance.[29] Cash Box said the song "shows a greater use of synthesizers and a hardened guitar sound" than previous Springfield songs but retains his ability to create a powerful refrain.

In 1984 he teamed up with Janet Jackson for her Dream Street album (1984, Composer, arranger, keyboards).[30] The music video for the song Dream Street was shot during the shooting of the TV show Fame.[31]

Shenale worked with Belinda Carlisle on her albums Belinda (1986, Keyboards, synthesizer) which was certified Gold[32] and peaked at no. 13 at Billboard 200[33] and Her greatest hits /The Best of Belinda, Volume 1 (1992, Keyboards, synthesizer) which was certified as multi platinum album.[34]

He collaborated with Bonnie Tyler for her Secret Dreams and Forbidden Fire album (1986, synthesizer).[35] Seven singles were released from the album including Holding out for a Hero which was featured in the movie Footloose and was included in its soundtrack album.

He wrote the song I Want To Be Needed[36] for Shari Belafonte and Chris Norman (an english soft rocker singer known for being the lead vocalist of the band Smokie) which featured on the albums Eyes of Night (1987), Hits from the Heart (1988) and Heartbreaking Hits (2004).[37]

His collaboration with The Bangles started with the Everything album[38] / "Eternal flame", song[39][40] (1988, Keyboards, Producer, Programming) and went on with The Essential Bangles album (2004, keyboards, programming) and the We Are the '80s album (2006, keyboards, programming).

He worked with Olivia Newton-John on The Rumour album (1988, Keyboards, programming)[41] and Dreams So Real on the Rough Night in Jericho album (1988, Keyboards).

In 1989 John Philip Shenale worked with Natalie Cole on her album Good to be Back (1989, synthesizer, programming) which was nominated for two Grammy Awards.[42]

He worked with Jimmy Hamen on Can't Fight the Midnight album (1989, keyboards) and with Jeff Silverman and Kevin Raleigh on Delusions of Grandeur album (1989, Keyboards).[43]

1990-1999

Shenale collaborated with Jane's Addiction (a Los Angeles quartet which were one of the most influential and iconic alternative rock bands of the late 1980s and the early 1990s)[44] for their album Ritual de lo Habitual (1990, strings) which was nominated for a grammy award for Best Hard Rock Performance.[45] Been caught stealing was released as the third single from the album and became the band's biggest hit, spending four weeks at No.1 on the US Billboard Modern Rock chart. The song's accompanying music video humorously depicted people (including the band members) shoplifting at a grocery story and won an MTV video music award for best alternative video.[46] While John Philip Shenale is credited with the strings arrangement on Three Days he performed as well on Then She Did...[47]

He has been a member of the Royal Macadamians band along with Davitt Sigerson, John Beverly Jones and Bob Thiele Jr. releasing the Experiments in Terror album (1990) creating an arty and idiosyncratic mixture of jazz-and-funk-infected tunes given a surrealistic spin.[48][49] He worked as an engineer for Robert Cray's Midnight Stroll album (1990, engineer) and he played the bass for Billy Idol's Charmed Life album (1990, bass).

He has worked with Jimmy Barnes on his albums Soul Deep (1991, keyboards, horn arrangements, string arrangements), Heat (1993, keyboards),[50] Flesh and Wood (1994, Piano, string arrangements), Hits (1996, Horn, Keyboards, string arrangements) and JB50 (2006, piano, keyboards, horn arrangements, string arrangements).

Shenale collaborated with Toni Childs for her albums House of Hope (1991, keyboards, programming) which was certified as two times platinum in Australia and platinum in New Zealand[51]. Los Angeles Times noted that despite the title it's a haunted house. Through its halls walk tormented ghosts, each one a victim of incestuous fathers and alcoholic husbands, of circumstances and of themselves. Toni Childs noted that the album talks about a lot of things that we don't like to acknowledge because it feels like there's a stigme, like we are not supposed to talk about them. We talk about a dark album but I am shining light on these things to make it more light.[52] He collaborated with her again on the Ultimate Collection album (2000, keyboards, programming).

He has been one of Tori Amos's close musical mentors,[53] musician[54] who detuned an old upright piano (prepared piano)[55] for "Bells for her"[56][57] and a long-time arranger[58] engineer of the sessions[59] and collaborator[60] for her studio albums.[61][62] Their collaboration started with Little Earthquakes (1992, programming).[63] His experimental approach to arrangements painted a dinstictive sonic landscape which was notable since Under the Pink (1994).[64] Their collaboration which transcends the unexpected use of music instruments creating a unique sound signature, has flourished with the use of string quartets and full orchestras.[65] throughout numerous albums such as Little Earthquakes (1992, programming, keyboard programming, musician), "Winter" (1992, mellotron), "Cornflake Girl" (1994, strong arrangements, woodwind arrangement), Under the Pink (1994, strings, organ/hammond, string arrangements), Boys for Pele (1996, arranger), and From the Choirgirl Hotel (1998, string arrangements).

He worked with Willy DeVille[66][67] as his producer[68] on 4 studio albums[69] Backstreets of Desire (1992), Loup Garou (1995),[70] Crow Jane Alley (2004),[71] and Pistola (2008).,[72][73] Introducing Willy DeVille (2009, wurlitzer). Shenale did great work with DeVille out of his North Hollywood compound, with albums that maintained DeVille's career in Europe in a major way, as he had, in all practicality, given up on his American career.[74][75] According to Willy DeVille, John Philip Shenale always heard the sound Willy wanted to create and he knew how to bring out the best in him in the studio, (...) he kept it together and made it work.[76]

Shenale worked with Santana for their albums Milagro (1992, string programming) and Milagro/Sacred Fire (2002, string programming).

In 1993 he collaborated with Buddy Guy for the Feels Like Rain album (1993, organ, synthesizer). He worked with Diesel for the albums: Hepfidelity[77] (1993, keyboards, pecussion, string arrangements, assistant engineer, assistant, keyboard arrangements, percussion arrangement, overdub assistant) and Johnny Diesel & Injectors/Hepfidelity (2005, keyboards, percussion, string arrangements, assistant).

He has collaborated with Katey Sagal for her album Well... (1994, keyboards, orchestrations).[78] He contributed to the album Tribute to Edith Piaf [Amherst] (1994, drums).

Shenale worked with Tracey Chapman on her albums New Beginning (1995, keyboards), "Give Me One Reason" (1996, keyboards) which won a Grammy award for Best Rock Song while being nominated for 4 Grammy awards and Collection (2001, keyboards).[79]

He teamed up with Air Supply for their records News from Nowhere (1995, arranger, strings),[80] The Book of Love (1997, strings, keyboards)[81] and Across the Concrete Sky (2003, string arrangements).

He has collaborated with Gus for his albums Gus[82] (1996, mellotron, string arrangements) and Word of Mouth Parade (1999, mixing, keyboards), Celestial Winds for the album Bliss (1996, Keyboards, bass) and with Rust for the album Bar Chord Ritual (1996, sounds).

He worked with Uma on her album Fare Well (1997, percussion, programming) and Five for Fighting on his album Message for Albert (1997, arranger, string arrangements).

He worked with Bette Midler on her Bathhouse Betty album (1998, arranger, piano, keyboards), Eric Martin on his Somewhere in the Middle album (1998, Chamberlin, organ/Hammond), MC Solaar on his album Le Tour de la Question (1998, assistant), Adam Cohen on his Adam Cohen album (1998, ARP synthesizer, organ/Hammond, string arrangements) and John Hiatt on his album The Best of John Hiatt [Capitol] (1998, loop).

Shenale worked with Curtis Stigers on his album To Be Loved (1999, string arrangements) and with Smokie on the album The Best of 20 Years (1999, composer).

2000-2009

He collaborated with The Beach Boys for their albums Keepin' the Summer Alive/The Beach Boys '85 (2000, oberheim synthesizer) and M.I.U. Album/L.A. (Light Album) (2000, oberheim synthesizer) and Katey Sagal on her album Room (2004, organ, keyboards, sampling, string arrangements).

Shenale collaborated with Tori Amos on the albums Strange Little Girls (2001, arranger, strings, synthesizer), Scarlet's Walk (2002, flute, string arrangements),[83] Tales of a Librarian: A Tori Amos Collection (2003, audio production, main personnel, strings, piano, piano (electric), Wurlitzer piano, chord organ, Wurlitzer, chamberlin, synthesizer, ARP synthesizer, percussion, loops, sampling, organ/Hammond, assistant, marxophone, string ensemble), A Piano: The Collection (2006, flute, programming, string arrangements), American Doll Posse (2007, string arrangements, brass arrangement, string conductor, brass conductor), Abnormally Attracted to Sin (2009, arranger, conductor, synthesizer, organ/Hammond, orchestration, string arrangements, Hammond B3), Midwinter Graces (2009, conductor, synthesizer, sampling, string arrangements, brass arrangement).

He worked with Jann Arden on the albums Blood Red Cherry (2000, keyboards, drum loop) and Greatest Hurts: The Best of Jann Arden (2001, keyboards, drum loop) and with Chris Spedding on his album One Step Ahead of The Blues (2002, drums).[84]

He collaborated with Wendy Maharry on her album Released (2003, producer, arranger, engineer, strings).

Shenale worked with David Young on his albums Beyond... Celestial Winds (2004, engineer, piano organ, keyboards, bass) and Woodstock: The Mystery of Destiny (2007, engineer, keyboards).

He collaborated with Eileen Carey for her album Hearts of Time (2006, composer) and with Evelio for the album Evelio (2006, producer, composer, mixing, Fender Rhodes, Wurlitzer, champerlin, keyboards, horn arrangements, string arrangements, loop).

He worked with Sylvie Vartan on her album Nouvelle Vague[85] on which she re-interpretates some old classics (2007, producer, engineer, arranger, guitar, flute, piano, Fender Rhodes, farfisa organ, Wurlitzer, chamberlin organ/Hammond, clavier, clavecin, realization)[86][87] and with William MacGregor on his album Welcome to Carnival and Marc Lavoine for his album Best of Solo (2007, synthesizer).

2010-2019

Shenale was Tori Amos' orchestral collaborator for the Night of Hunters[88][89] album released by the classical label Deutsche Grammophon.[90] The album marked their twentieth anniversary of their long-time collaboration which began with her solo debut, Little Earthquakes (1992)[91]. Their collaboration was celebrated with 8 Grammy Awards nominations throughout the years.[92] Shenale's string arrangements are the most noticeable sonic advancement since he brought the use of real strings in Tori Amos' music.[93][94] His involvement on the album Night of Hunters (2011, string arrangements, woodwind arrangement)[95] exhibits some of his most daring and absorbing work to date.[96] In 2011 Deutsche Grammophon released Sin Palabras (Without Words), the instrumental companion to Tori Amos' record Night of Hunters and Shenale composed all the orchestral arrangements for that record, merging the pop and classical worlds while still maintaining a decisive stylistic motif.[97] Their collaboration continued on her albums Gold Dust (2012, orchestral arrangements, reworking), "Flavor" (2012, arranger, orchestration), The Light Princess, Original cast recording (2015, orchestration), Native Invander (2017, keyboards, synthesizer, programming).

He has worked with Addie Brik on her album Brik & Shenale (2012, composer).[98][99]

John Philip Shenale has worked with Katey Sagal on her album Covered (2013, organ, piano, string arrangements, synthesizer horn). As a member of The Forrest Rangers band they have worked together releasing songs from the soundtracks of Sons of Anarchy and Mayans M.C. as studio albums, EPs and singles. They used the name The Reluctant Apostles for their live shows.

He worked with Zwerg on his album Dual Citizen (2014, producer, arranger, keyboards, bass)[100][101] and Katya for her album Rock Lives, Deluxe Edition (2015, composer).[102]

He teamed up with A Bad Think / Michael Marquart for his albums The Tragic End of a Dreamer (2016, keyboards) and Savior (2019, keyboards)[103][104][105][106] which was nominated for a Grammy award for Best Immersive Audio Album.[107]

John Philip Shenale was the arranger of Michel Polnareff's Olympia 2016 album (2016, arranger)[108] and he worked with Elouise on her album Deep Water (2016, composer, instrumentation, string arrangements).

He collaborated with Marta Woodhull for her album Face (2017, producer, composer, brass, chamberlin, clavinet, drum loop, drum mix, engineer, guitar, guitar (synthesizer), guitar loops, Hammond B3, Harpsichord, keyboards, mellotron, mixing, organ/Hammond, soloist, synthesizer, vocals/background, Wurlitzer piano).[109][110]

Shenale worked with Kris Kelly on his album Runaways (2019, string arrangements, brass arrangement, woodwind arrangements, keyboards)[111][112] and with Ralph Molina on his album Love and Inspiration (2019, arranger, keyboards, mixer).[113][114]

2020-present

Shenale worked with Tori Amos on her album Ocean to Ocean (2021, keyboards, organ/Hammond, recording)[115][116].during the global covid-19 pandemic despite the fact that she was in Cornwall, England and he was in Los Angeles.[117]

He collaborated again with Michael Marquart / A Bad Think on his albums Lifelike (2021, keyboards)[118] and X (2022, keyboards).[119]

Career in film, TV, theater, and other works

Shenale's work has also been featured on films[120] and musicals by directors such as Curtis Hanson, John Hughes, Carl Reiner, Herbert Ross, Walter Hill, Richard Lester, Brian Yuzna, Steve Miner, Paul Verhoeven, Frank Oz, Marianne Elliott.[121]

His work includes: Alvin & the Chipmunks (1983, writer),[122] Janet Jackson: Dream Street (music video 1984, composer), Footloose [Original Motion Picture Soundtrack] / "Holding out for a Hero", song (1984, synthesizer, programming),[123]The Dirt Bike Kid (1985, composer), Little Shop of Horrors (1986, musician),[124] Steele Justice (1987, score), Licence to Drive (1988, writer),[125] Emperor of the Bronx (Teenage Mutant Ninja Turtles: Coming out of Their Shells (1989, keyboards, programming), Emperor of the Bronx (1990, producer, composer),[126] Return of the Living Dead III (1993, composer, orchestrator),[127] The Waiting Game (1999, Royal Macadamians),[128] Smart House (1999, performer),[129] Out of Line (2001, composer),[130] The Diamond of Jeru (2001, composer),[131][132] Star Academy 5, Star Academy 5: Les Meilleurs Moments (2005, sampling, clavier, rhythm, string arrangements), Son of a Wanted Man by Louis L' Amour, dramatized (2005, composer)[133] and The Big Crying (2021, arranger).

John Philip Shenale is a band member of The Forest Rangers mostly known as the house band of FX action crime drama television series Sons of Anarchy (2008-2014) along with the musicians Bob Thiele Jr., Greg Leisz (pedal steel guitar), Matt Chamberlain (drums), Gia Ciambotti (background vocals). Bob Thiele Jr. was nominated three times for an Emmy award for the songs he wrote for Sons of Anarchy and were performed by The Forest Rangers (This Life/2009, Day is Gone/2014, Come Join The Murder/2015).[134] Their work was released as four soundtrack albums (Songs of Anarchy: Music from Sons of Anarchy Seasons 1-4 (2011), Sons of Anarchy: Songs of Anarchy Vol. 2 (2012), Sons of Anarchy: Songs of Anarchy Vol. 3 (2013), Sons of Anarchy: Songs of Anarchy Vol. 4) (2015), 3 EPs (Sons of Anarchy: North County, Sons of Anarchy: Shelter, Sons of Anarchy: The King is Gone), numerous singles and a debut album called Land Ho!.[135] (The Forest Rangers launched a PledgeMusic campaign to record and release it and Bob Thiele Jr. called it "a passion project".)[136] In 2018 The Forest Rangers contributed to the Mayans M.C. soundtrack with the song "Black is Black".[137] The band occasionally used the name The Reluctant Apostles for their live performances with Katey Sagal as their lead singer.[138][139] According to a Reddit thread entitled "Damn the soundtrack is great", a number of Sons of Anarchy fans thoroughly enjoyed the show's music and a plethora of fans praised The Forest Rangers, in particular, for lending their talents to the majority of the tracks, which are effectively placed in the show.[140] The song Come Join The Murder debuted at No. 9 on Billboard's Hot Rock Chart while the title song This Life started at No. 93 on the Billboard Hot 100.[141]

Shenale appeared in Samantha Hale's documentary series Map the Music (2010) and talked about creating emotion through sound.[142][143] The documentary explored the connection between music and love by interviewing artists and people from different backgrounds.[144]

In 2021 he appeared in Lifelike:The Making of an Album in Dolby Atmos an official documentary by Derrick Borte focusing on behind-the-scenes with musicians (Jeremy Stacey/drummer, Sean Hurley/bassist, Fernando Perdonno/guitarist, Kirk Hellie/guitarist) as they bring Michael Marquart's album Lifelike to life).[145]

He was the orchestrator of The Light Princess,[146] a musical with music and lyrics by Tori Amos which premiered at the Royal National Theatre in London in 2013.[147] The story was based on a victorian fairytale by George MacDonald which contemplates the need for balance between gravity and levity and that there can be no true happiness without knowing sadness as well. [148][149][150][151]

Music credits

John Philip Shenale's music credits include those of producer, composer, arranger, conductor, orchestration and string arrangements.[152][153][154]

CreditAlbum (Year, Artist)
ProducerBackstreets of Desire (1994, Willy DeVille), Loup Garou (1996, Willy DeVille), Love & Emotion: Atlantic Years (2001, Willy DeVille), Released (2003, Wendy Maharry), Crow Jane Alley (2004, Willy DeVille), Evelio (2006, Evelio), Crow Jane Alley/Pistola (2013, Willy DeVille), Face (2017, Marta Woodhull)
ArrangerDream Street (1984, Janet Jackson), Everything (1988, Bangles), News from Nowhere (1995, Air Supply), Boys for Pele (1996, Tori Amos), Message for Albert (1997, Five for Fighting), Bathhouse Betty (1998, Bette Midler), To Venus and Back (1999, Tori Amos), Strange Little Girls (2001, Tori Amos), Tales of a Librarian: A Tori Amos Collection (2003, Tori Amos), Nouvelle Vague (2007, Sylvie Vartan), Abnormally Attracted to Sin (2009, Tori Amos), Olympia 2016 (2016, Michel Polnareff)
String ArrangementsLiving in Oz (1983, Rick Springfield), Soul Deep (1991, Jimmy Barnes), Hepfidelity (1993, Diesel), Cornflake Girl (1994, Tori Amos), Flesh and Wood (1994, Jimmy Barnes), Under the Pink (1994, Tori Amos), Gus (1996, Gus), Hits (1996, Jimmy Barnes), Adam Cohen (1998, Adam Cohen), From the Choirgirl Hotel (1998, Tori Amos), To Be Loved (1999, Curtis Stigers), Scarlet's Walk (2002, Tori Amos), Across the Concrete Sky (2003, Air Supply), Room (2004, Katey Sagal), Johnny Diesel & the Injectors/Hepfidelity (2005, Diesel), A Piano: The Collection (2006, Tori Amos), JB50 (2006, Jimmy Barnes), American Doll Posse (2007, Tori Amos), Night of Hunters (2011, Tori Amos), Deep Water (2016, Elouise), Runaways (2019, Kris Kelly)
ConductorAmerican Doll Posse (2007, Tori Amos), Abnormally Attracted to Sin (2009, Tori Amos), Midwinter Graces (2009, Tori Amos)
Orchestration Well... (1994, Katey Sagal), Abnormally Attracted to Sin (2009, Tori Amos), The Light Princess [Original Cast Recording] (2015, Tori Amos)
ComposerDream Street (1984, Janet Jackson), The Dirt Bike Kid (1985, film), Steele Justice (1987, film), Busman's Holiday (1991, John Kilzer), Raindogs (1991, Raindogs), Return of the Living Dead 3 (1994, film) Barry Goldberg/John Philip Shenale, The Best of 20 Years (1999, Smokie), The Diamond of Jeru (2001, film), Son of a Wanted Man by Louis L'Amour, dramatized (2005, audiobook), Evelio (2006, Evelio), Hearts of Time (Eileen Carey), Deep Water (2016, Elouise), Face (2017, Marta Woodhull)
Band member of The Forest RangersSons of Anarchy: North Country-EP (2009), Sons of Anarchy: Shelter (2009), Sons of Anarchy: The King Is Gone (2010), Songs of Anarchy: Music from Sons of Anarchy Seasons 1–4 (2011, Various Artists), Sons of Anarchy: Songs of Anarchy Vol. 2 (2012, Various Artists), Covered (2013, Katey Sagal), Sons of Anarchy: Songs of Anarchy Vol. 3, Sons of Anarchy: Songs of Anarchy Vol. 4 (2015, Various Artists), Land Ho! (2015), Black is Black, Mayans M.C. (2019, Katey Sagal)

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