Chakana
The chakana ("Inca Cross" or "Andean Cross") is a stepped cross motif used by the Inca and pre-incan Andean societies. The most commonly used variation of this symbol used today is made up of an equal-armed cross indicating the cardinal points of the compass and a superimposed square. Chakana means 'bridge', and means 'to cross over' in Quechua.[1] The twelve-cornered design itself occasionally appears in pre-contact artifacts such as textiles and ceramics from such cultures as the Wari, Ica, and Tiwanaku, but with no particular emphasis and no key or guide to a means of interpretation.[2]


Interpretation
According to one interpretation, the square is suggested to represent the other two levels of existence. The three levels of existence are Hana Pacha (the upper world inhabited by the superior gods), Kay Pacha, (the world of our everyday existence) and Ukhu or Urin Pacha (the underworld inhabited by spirits of the dead, the ancestors, their overlords and various deities having close contact to the Earth plane). The hole through the centre of the cross is the Axis by means of which the shaman transits the cosmic vault to the other levels. It is also said to represent Cusco, the center of the Incan empire, and the Southern Cross constellation, as well as being a Christian (or syncretic) cross.
Composition
The geometry of the symbol has a high degree of symmetry. The symbol can be drawn from a circle. A square is inscribed in the circle, with the corners tangent to the circle. This forms the "middle step" of the ladder. A smaller square (tilted 45 degrees) is made from the midpoints of the large square. Connecting the midpoints of the small square and extending the lines to the edge of the circle will form the arms of the cross, otherwise known as the "first" and "last" steps of the chakana. Lines are drawn from the points the lines exit the circle, to complete the cross. A small circle is made from the diameter of the cross lines. To proof the construction, a separate construction line is drawn from the point where the square corners with the cross rectangles to the same point on the opposite side. If the line is 27 degrees from the vertical, the chakana is properly drawn.
Historical evidence
The chakana is one of the oldest symbols in the Andes. It appears as a prominent element of the decoration of the Tello Obelisk, a decorated monolithic pillar discovered by Peruvian archaeologist Julio C. Tello at the Chavín culture site of Chavín de Huántar. Construction of Chavín de Huántar began around 1200 BCE and the site continued in use to about 400 BCE. The exact date of the Tello Obelisk is not known, but based on its style it probably dates to the middle of this range, around 800 BCE. The form of the chakana may be replicated in the Akapana, a large terraced platform mound with a central reservoir built at the site of Tiahuanaco by people of the Tiwanaku culture near Lake Titicaca, Bolivia and dating to about AD 400. Tiwanaku was the center of the Tiwanaku Empire, which thrived in the southern Andes from about 400 to 1000 CE.
The mestizo historian Garcilaso de la Vega, el Ynga, reports about a holy cross of white and red marble or jasper, which was venerated in 16th-century Cusco.[3]
The Incas began to venerate the holy cross, after they heard how Pedro de Candia had miraculously defied a lion and a tiger holding a cross. When the Spaniards captured the city, they transferred the cross to sacristy of the newly built cathedral, where De la Vega saw it in 1560. He was surprised that the clergy had not decorated it with gold or gems.[4] Ongoing stories about indigenous crosses contributed to the idea of a 'natural' religion that would have prepared the Indians for their inevitable conversion to Christianity.[5]
- "Andean Crosses" at Tiwanaku
- "Andean Crosses" at Tiwanaku
- Wall of the Six Monoliths at Ollantaytambo with stepped cross symbol
- Four-Cornered Wari Hat
- Chakana at Kanchisqocha
- Chakana at Iñaq Uyu
- The plan of Akapana is often described as "half Andean Cross"
- Chakana on a Wari Tunic
- Chakana on an Inca Uncu
Controversy about New Age fringe beliefs

Some scholars regard it as an “invented tradition".[6] Although the Chakana as the 'Andean cross', presented as an Inca and pre-Inca symbol bearing cultural, spiritual, or mystical interpretations, has wide popularity in contemporary Andean culture, its roots are no older than the late 20th century.
Further reading
- Soledad Cachuan: Mitología Inca, Buenos Aires 2008
- Drury: The Elements of Shamanism, Element Books, 1989.
References
- Steven R. Gullberg: Astronomy of the Inca Empire: Use and Significance of the Sun and the Night Sky. Springer Nature, 2020, p. 77.
- "Images". tocapu.org. Retrieved 2016-12-24.
- Horner, Channing (2020-08-26). "Comentarios reales de los Incas, Book 2, Chapter 3".
{{cite web}}
: CS1 maint: url-status (link) - Garcillago de la Vega, First part of the Royal Commentaries of the Yncas, 1869, repr. Cambridge 2010, vol. 1, p. 122
- Simon Ditchfield, ‘What Did Natural History Have to Do with Salvation? José de Acosta SJ (1540-1600) in the America's', in: Peter Clarke and Tony Claydon, God's Bounty? The Churches and the Natural World, Woodbridge, Suffolk and Rochester, NY 2010, pp. 144-168
- Eric Hobsbawm & Terence Ranger, ed. (1983). The Invention of Tradition. Cambridge University Press. ISBN 0521246458.